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Femi is a Providence, RI–based architect and sound artist from New York working with handmade electronic and acoustic instruments to examine the cybernetics of gender, race, and culture through site-specific ritual performance. His work explores the intersections of acousmatics and cultural anthropology through architectural design as a radical and experimental practice. He is particularly interested in generative systems, spatial audio, sonic acts as ritual, and the poetics of sound technology. Femi approaches architecture as a political intervention enacted through vibration, embodied experience, and spatial interaction. Since 2018, he has performed solo and collaboratively under the moniker “sadnoise.” Notable performances include the Sonic Acts Biennial (2026, NL), Waterworks Festival (2024, MA), and Ende Tymes (2022, NY), among others.
