Blur Image on Hover
Upcoming Show: SLABFEST @ Jewel Music Venue 0618/192024 ~New Haven, CT

Random Image

Consolidate

Femi is an architect and sound artist from New York who works with various synthesis techniques and live coding languages to discuss the organic within electronics and technology through sound art and composition. His work explores the intersections of sound and space though spatial audio and architectural design as an experimental practice. He’s most interested in generative systems, chance, texture within sonic soundscapes. Femi’s architectural work explores indeginous ritual practice as a vessel for conversation between sound, space and interactions of the body. Femi has been performing as a solo experimental electronic improvisation artist since 2018 as sadnoise. Musical and Festival performances include Ende Tymes (2022, New York), Creative Code Festival (2020, New York), Waterworks Festival (2024), Slabfest (2024), amongst others.

Femi is currently studying architecture at RISD (after a year in 2019 in textiles),
installs work that dicusses the conversation between our ears and the ground above and beneath our feet,
performs rituals as sadnoise,
makes sounds using digital/analog synthesis, DIY electronics and esoteric code based languages using random, chance based systems,
DJs and produces dub tehcno/micro house under the alias Ṣonuga,
hosts SRST Sessions, a video series highlighting local artists in the RI/MA area,
uploads tutorials, music videos, patches, live shows,
updates log occasionally.


How can we properly acknowledge the displacement and destruction of indigenous land as the gentrification and backwards evolution of music and culture in the underground BIPOC communities in nyc. How can we design a space that bridges the gap between the two cultures and creates a welcoming space for new experimental sonic ritual practice. What are natural ways these interactions can form and what will aid both cultures during the design process. What do these communities need in order to feel welcome both physically and sonically.
XXIIVV webring XXIIVV webring XXIIVV webring

updated 05/01/24 – femi.fleming@gmail.com